The nasty practice of ghost-writing

I just read Linda Hall’ s post at TWGauthors.blogspot.com and dug out this message I’d sent to a listserve I’m on last June. Thought it was relevant.

As a reader, I think work-for-hire or ghosted books or articles that don’t give appropriate credit to the actual writer are morally and ethically wrong. It is lying and when I find out the truth, I feel cheated. I absolutely hate it. As a writer, I feel even more strongly about it.

I’ve mentioned to a few nonwriters that certain well-known people don’t write their own books, and every single one of them has been horrified. They don’t want to know - it really bothers them - as it does me. What would have been the problem in saying “with X”? I just don’t get it.

Ideas are a dime a dozen - everybody has an idea. In one of my writing workshops, I give them all the same idea and they each come up with something totally unique. It’s the writing that matters - that fleshes out the idea and illustrated it and sets the work apart.

I’m not saying it’s wrong for the writer to do it, and I’m certainly hot trying to put down anyone who has done it. And I know how tough the industry is - if you don’t do it someone else will. But just because something has been accepted in the past doesn’t make it right. Or maybe times change.

I think it’s wrong for the publisher to want to take credit away from the worker - and I think it’s wrong for the celebrity to take credit for something he or she didn’t do. I just don’t get it. I won’t lose respect for the well-known person if his book says with so and so. But I will lose respect for him when I find out that someone else wrote the book with his name on the cover. In fact, I have stopped buying a number of people’s books because of this issue.

If they don’t want it on the cover or on the heading, at least put it inside or at the bottom. How hard is it to say “edited by … ” or “with…”?

To me, making it appear that a person wrote something he or she didn’t actually write is simply dishonest. I used to teach high school. I know that having someone else write your essay is not considered a good thing. In fact, it’s quite frowned on. So why is it okay just because you’re an adult and you’ve become famous?

I just wish the Christian publishing industry would take the lead in correcting what I see as an industry problem. I have several books from years ago that say “with John and Elizabeth Sherrill,” and magazines whose bylines say “as told to….” Those work just fine for me. Why can’t they all do it?

I am also saddened by the lack of respect for the newer person who comes eagerly in wanting to use his or her talents to make a difference and is asked to ghost-write. When writing well is no longer the prerequisites for publication, what is left?

Frankly, I think we’ve dug ourselves into a corner and we need to figure a way to tunnel out. I anticipate radical changes in the not-too-distant future, helped by new technology. Words are precious to God. We need to use them with passion, diligence, transparency, and love.

Walking the fiction tightrope: writing with faith and honesty

I was writing a scene around Paul Manziuk, my police officer in Shaded Light, and suddenly he decided to swear.

I told him he couldn’t. I don’t swear myself. Why would I swear when writing?

 

He said he wasn’t me.

 

 

True.

 

 

He said that he was hot, tired, and frustrated, and he really needed to say one mild swear word.

 

 

I agreed that under those circumstances I might feel the same way.

 

 

Paul said, “So?”

 

 

I reminded him that I’m a Christian, although I think the real reason I don’t swear is that I find the words offensive.

 

 

Paul reminded me that although he attends church with his wife now and then, he doesn’t feel any restrictions for religious reasons. Plus he doesn’t swear much. What’s the harm in one little word?

 

 

I explained that Christian publishers don’t want any swear words in their books.

 

 

He countered by saying, “If you want me to be me, you should let me use the word.”

 

 

I gave in. Later, my publisher, a Christian who was not actually publishing for the Christian market, asked me to take it out. I removed the offensive word, but I felt dishonest.

 

 

Much later, I decided that my integrity is more important to me than having a book in print. In future, I would write the book that is inside me wanting to get out, being true to the character and situations that I need to write about, and I would not worry about getting published.

 

 

Every writer is unique. And every author will have a different book burning inside. Someone raised in an evangelical Christian home may find it quite easy to write a book that will fit into most Christian publishing houses. But I wasn’t raised in that kind of home. So I can write for a different audience; one that, like Paul Manziuk, might use a swear word now and then.

 

 

But Paul was a small stretch: Shane Donahue, my main character in In Time of Trouble, was something else. A troubled 18-year old from a non-Christian home, in real life, Shane would get drunk, take drugs, have illicit sex, swear, etc.

 

 

Why would a nice Christian lady who doesn’t do any of those things, who has four well-adjusted, terrific sons, choose to write about a character like this? No idea, except I had to. God placed him in my heart.

 

 

How could I portray him without being dishonest? I had to show him drinking, hanging out with the wrong crowd, swearing, alienating his parents, making poor choices…

 

 

Because my real goal was to show what happens to someone like Shane who allows God into his life, I strove for balance, to give just enough images of his life without wallowing in them. I wanted the reader to understand what it was like for Shane so that he or she would look at flesh and blood young people with compassion instead of anger.

 

 

We ended up forming a publishing company to publish the book. It was far too “Christian” for a secular publisher, but we knew it would never fit the guidelines of the Christian publishers.

 

 

And the reviews, mostly from Christian sources, have praised the book for being “real.”

 

 

How odd. Jesus said he was the Truth. He told the story of the prodigal son and forgave the women caught in adultery. Should we as Christians not be the ones leading the “reality” charge?

 

 

Yet many Christians seem to prefer books that are safe. “Our customers trust us, and certain shelves need to provide the safety our customers expect,” says Margo Smith of Hull’s family Bookstore in Winnipeg.

 

 

But Margo also thinks we can have shelves for the other books written by Christians that perhaps aren’t quite so safe. Not all Christians want to be protected.

 

 

The reality is that less than half of the people who call themselves Christian even go inside Christian bookstores. What books do they read? Grisham, perhaps. Stephen King. Who knows?

 

 

For years, I have read very little “Christian fiction” because I couldn’t find much I wanted to read. I wanted books I could identify with, stories that helped me deal with the realities of my life.

 

 

There is a huge difference between glorifying bad language and allowing a character to swear so you can see the character as he or she is.

 

 

There is a huge difference between pretending that Christians only have little problems that are easily resolved and showing what might happen when a Christian commits adultery or drinks too much or gets divorced or has an abortion.

 

 

“Christian fiction writers and indeed their readers,” says Margo Smith, “are often much more comfortable when the ugly side of life is portrayed as life outside of Christ. [But] the best Christian writers effectively weave in the theme of ordinary people committing evil, which is much more interesting, applicable and even helpful to those of us who are trying to come to grips with a complex world.”

Every writer will struggle with the external boundaries for characters and plot lines, but above all else, we must be honest with ourselves, and trust the God who made us to help us write the book we have inside.

Copyright N. J. Lindquist. Not to be reused in any way without permission.
This article was first published in Exchange newsletter in July 2003.

The dilemma of being a Christian who writes fiction

 

 

 

 

Writing fiction would be easier if I wasn’t a Christian. I’d just sit down and write whatever I wanted. No problem.

But I am a Christian. And it has been a problem.

When I began writing 30 years ago, I had a BA in English along with the English medal for my graduating class. And I had a very strong faith in God. It seemed natural to me to combine the two aspects in my writing.

I found, however, that not all fiction written by Christians was for me. Some books, like the Narnia series, delighted me. A few, like In His Steps, challenged me. But many of the others seemed trite and unrealistic. How could I write in a genre that I couldn’t whole-heartedly endorse? (Of course I didn’t like a lot of the secular books either!)

As a Christian, did I need to write for the Christian market? Or should I just try to write great fiction, regardless of content or theme? Over the years, I tried various things. Some worked and some didn’t. Eventually, I realized it wasn’t simply a Christian/secular issue, but a far more complex one. I had to understand the various kinds of fiction, determine whether I was going to write for the market or for myself, and strive to achieve excellence in my work.

 

To begin with, I sorted the possible fiction markets into four categories and I decided I would not limit what I write but simply determine which ideas fit best in each category and write accordingly.

 

 

Category A: That which is commonly known as Christian fiction—stories that are comfortable and safe for evangelical Christians to read—no overt sex or violence or swearing, solid hope-filled themes, Christian characters another Christian can relate to, plotlines which teach something good for a person who is already a Christian. Likely to be found primarily in Christian bookstores.

 

 

Many Christian writers, including myself, still sometimes find writing for category A frustrating. The restrictions can be stifling. Sometimes a character really needs to swear. Sometimes there can be no happy ending.

 

 

A number of Christian writers I have talked to say they don’t read a lot of Christian fiction because in the past so many of these stories have placed the message above the character and plot. These writers say they care more about well-written stories than stories with a Christian message. But the same authors who may not read much Christian fiction may still be writing for that market. Perhaps the hope is that the level of quality will be raised, and perhaps that is indeed happening.

 

 

Category B: Stories where the main theme or themes fit with Christianity—redemption, salvation, etc.—but the story may have elements that some evangelical Christians would be uncomfortable reading. Some will be close to category A (eg. the Narnia books, the Mitford series), but others will have swearing or other unacceptable things in them. While some will be found in Christian bookstores, more will be found in secular bookstores or public libraries. (Eg. Susan Howatch.) These may be published by Christian companies, secular companies, or companies that have divisions in both areas.

 

 

Category C: Stories written by Christians but not specifically dealing with any Christian issues or themes. May be light or heavy. Likely to be found in only secular bookstores. (Eg. Dorothy Sayers, P. D. James). They are normally published by secular companies.

 

 

 

Category D: Stories with at least one character who comes to have a faith in God. The evangelistic overtones can be overt or subtle. The goal is normally to have the reader make a similar decision. These stories are normally quite difficult to get published, especially if they are overtly evangelical. They are not really targeted for Christians and therefore may not interest Christian publishers, yet may be too Christian for a secular publisher/bookstore.

 

While many Christian writers veer toward this type of book, few publishers are looking for this kind of story.

 

 

As I struggled over the years to decide which of these categories is the best one, I finally realized that none of them is any better or more sacred than the others. In other words, God calls Christians to write in every one of these categories. Some of us will stick to a single category; others will write in two or even three categories; a few of us will write in all four. But (and this is an important discovery) every Christian doesn’t have to write Christian fiction, and it isn’t mandatory to have the gospel message in every book we write. If we seek God’s direction, strive for excellence, and ask him to use not only our writing but every part of our lives, we will be fulfilling his call to be fiction writers.

 

 

Copyright N. J. Lindquist 2002. The contents of this blog were first published in Exchange magazine. Not to be reprinted without permission.